| CYRANO DE BERGERAC |
|
Roxanne |
|
Hudson Warehouse (Nicholas Martin-Smith) |
|
|
|
|
|
| MARIE ANTOINETTE: THE COLOR OF FLESH |
|
Marie Antoinette
|
|
Earl Productions (Bob Kalfin) |
|
|
|
|
|
| WALKING DOWN BROADWAY |
|
Elsie |
|
Mint Theater (Steven Williford) |
|
|
|
|
|
| THE MAIDS |
|
Solange |
|
Cocteau Rep* (Ernest Johns) |
|
|
|
|
|
| UNCLE VANYA |
|
Sonya |
|
Cocteau Rep (Eve Adamson) |
|
|
|
|
|
| THE IMPORTANCE OF BEING EARNEST |
|
Cecily |
|
Cocteau Rep (Ernest Johns) |
|
|
|
|
|
| CANDIDA |
|
Candida |
|
Cocteau Rep (Michael Halberstam) |
|
|
|
|
|
| ARMS AND THE MAN |
|
Raina |
|
Cocteau Rep (Ernest Johns) |
|
|
|
|
|
| NOWADAYS |
|
Diana Dawson |
|
Metropolitan Playhouse (Alex Roe) |
|
|
|
|
|
| THE CONTRAST |
|
Charlotte |
|
Metropolitan Playhouse (Alex Roe) |
|
|
|
|
|
| UNDER THE GASLIGHT |
|
Laura |
|
Metropolitan Playhouse (Michael Hardart) |
|
|
|
|
|
| FOOL |
|
Nika |
|
Gorilla Rep (Michael Lew) |
|
|
|
|
|
| TRAVESTIES |
|
Gwendolyn |
|
Perkasie Theater (Steve Keim) |
|
|
|
|
|
| SEVEN REECE MEWS |
|
Nora |
|
Monday Morning (J. McGonnigal) |
|
|
|
|
|
| AH, MY DEAR ANDERSEN |
|
Various |
|
Russian-American Theatre (A. Burago) |
|
|
|
|
|
| ROMEO AND JULIET |
|
Juliet |
|
Genesis Rep (Jason Arellano) |
*Member - Cocteau Repertory, 5 Seasons (select credits)
REGIONAL THEATRE
| MARIE ANTOINETTE: THE COLOR OF FLESH |
|
Marie Antoinette
|
|
Caldwell Theatre (Michael Hall) |
|
|
|
|
|
| ENGAGED |
|
Minnie |
|
Depot Theater (John Christopher Jones) |
|
|
|
|
|
| ARSENIC AND OLD LACE |
|
Elaine |
|
Depot Theater (Chris Clavelli) |
|
|
|
|
|
| BELL, BOOK AND CANDLE |
|
Gillian |
|
Sierra Repertory (Dennis Jones) |
|
|
|
|
|
| PICNIC |
|
Madge |
|
Sierra Repertory (Frank Latson) |
|
|
|
|
|
| ON THE VERGE |
|
Alex |
|
Tri-State Actors Theater (P. Meacham) |
|
|
|
|
|
| SYLVIA |
|
Sylvia |
|
Tri-State Actors Theater (P. Meacham) |
|
|
|
|
|
| THE MAGNIFICENT AMBERSONS |
|
Lucy |
|
Oldcastle Theater (Frank Latson) |
|
|
|
|
|
| THE MAN WHO CAME TO DINNER |
|
June |
|
Oldcastle Theatre (Eric Petersen) |
|
|
|
|
|
| ABEL |
|
Wife |
|
Moore Theater (Pavol Liska) |
FILM AND TV
| ONE LIFE TO LIVE |
|
Under 5 (Twice)
|
|
ABC |
|
|
|
|
|
| MUSEUM MINUTES (industrial) |
|
Hostess |
|
One Man Band Productions (T. Amos) |
|
|
|
|
|
| MY STUFFED ANIMAL IS A MONSTER (feature) |
|
Supporting |
|
Joe Fiorello Films (Joe Fiorello) |
|
|
|
|
|
| BLACK MARY (feature) |
|
Supporting |
|
Roman Moher Productions (Matt Leary) |
|
|
|
|
|
| BEFORE THE LETTER (short) |
|
Lead |
|
NYU (Charlotte Royer) |
|
|
|
|
|
| FISHERBOY (short) |
|
Lead |
|
NYU (Jonathan Blitstein) |
|
|
|
|
|
| APPLES (short) |
|
Lead |
|
NYFA (Brunella Steger) |
|
|
|
|
|
| LIFE AND TIMES: HARRY OTTER (short) |
|
Supporting |
|
Ember Productions |
|
|
|
|
|
| LEARNING ENGLISH VIDEOS (industrial) |
|
Supporting |
|
Reader's Digest |
|
|
|
|
|
| MARLEY'S ANGELS (industrial) |
|
Supporting |
|
NYU/HEOPOP |
EDUCATION / TRAINING
BA in Theatre and Government (double major) from Dartmouth College
| Acting: |
|
Caymichael Patten, Karen Kohlhaas, Charles Tuthill
|
|
|
|
|
|
| Commercial Technique: |
|
David Cady |
|
|
|
|
|
| Improv: |
|
Billy Meritt/Upright Citizens Brigade |
|
SPECIAL SKILLS
English, Irish, Scottish, Russian, Polish, German, American South and Midwest dialects; Fluent German, conversational Russian and Japanese; ballroom, belly, jazz, ballet and Irish step dancing; champion downhill ski racer.
|
